Tuesday, May 3, 2011
Monday, April 11, 2011
Friday, February 25, 2011
book
http://jackmcgilvray.com/jack_mcgilvray/Photo/Pages/Landscape_Without.html
i ordered some pocket sized books containing the images i have been making the last 6 months
many of which i posted on the blog. there are 50 images included. it turned out great and everyone loved it!
here is the intro of sorts that is printed on the first page:
Landscape Without
There is a drain without water
There is a room without a man
There is a shallow dirty puddle
And a pile of soggy wood
I found myself reaching out
Empty spaces to dwell in for a moment
Abandoned objects, feigning replacements
I found myself immobilized
3 1/2 x 2 5/8
Sunday, February 13, 2011
alley ways
a short video about how the public space of an alley become private and intimate when you are the only one there. in installation this video is played on a loop.
Tuesday, January 11, 2011
Monday, January 10, 2011
Monday, November 22, 2010
Monday, November 1, 2010
american suburb x
http://www.americansuburbx.com/2010/10/katsumi-watanabe-shinjuku.html
one of latest post on ASX was a brief and enjoyable read, of course its easy to write on most every post. The post brings up and interesting concept involving Katsumi Watanabe. Watanabe is quoted "I decided to devoted my life to being "the drifting photographer of Shinjuku."" The idea presented here: devoting your photographic life to a specific area, being its record keeper, its voluntary documentarian, being a "drifting," undetected presence in a place in time. And perhaps its is only 30, 50, 100 years later that your work is significant. Devoting your life to being a photographic time capsule.
one of latest post on ASX was a brief and enjoyable read, of course its easy to write on most every post. The post brings up and interesting concept involving Katsumi Watanabe. Watanabe is quoted "I decided to devoted my life to being "the drifting photographer of Shinjuku."" The idea presented here: devoting your photographic life to a specific area, being its record keeper, its voluntary documentarian, being a "drifting," undetected presence in a place in time. And perhaps its is only 30, 50, 100 years later that your work is significant. Devoting your life to being a photographic time capsule.
Monday, October 4, 2010
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